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Some audience members may be able to discern more levels—the trademark style of a noted director, the ‘quality’ of a particular performance, interesting variations between performances, the idiom of the set design, the musical value of a composed score—but this is usually the result of specialist/backstage experience in the production process, and involves the imposition of a meta-theatrical gaze on the performance. A few cultures, such as the Nasca Indians of Peru, have based their music on linear scales (Haeberli, 1979), but these are rare.

Pages: 296

Publisher: Eutopianow Books (June 4, 2010)


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